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Feminist Literature

Feminist Literature – Voices That Challenge and Inspire Introduction Feminist literature has been a transformative force in shaping how society understands gender, equality, and identity. Through essays, novels, poetry, and memoirs, feminist writers have used literature to question social norms, amplify marginalized voices, and advocate for change. Far from being limited to one perspective, feminist literature encompasses diverse experiences across cultures, generations, and movements. It is both an art form and a call to action, reminding readers that literature can influence justice and equality. What Is Feminist Literature? Feminist literature explores themes of gender inequality, power, and identity. It seeks to reveal how social systems affect women and other marginalized groups, while also imagining more inclusive futures. Some works directly advocate for women’s rights, while others highlight the everyday struggles of characters navigating a world shaped by inequality. Together, they form a body of writing that has challenged readers and inspired movements. Core Themes in Feminist Writing Gender Roles: Questioning traditional expectations of women and men in society. Identity and Voice: Highlighting women’s perspectives and experiences often overlooked in mainstream literature. Intersectionality: Exploring how gender interacts with race, class, sexuality, and culture. Resistance and Empowerment: Showcasing how individuals challenge injustice and reclaim power. Equality and Justice: Imagining societies where fairness and inclusivity guide relationships and systems. These themes remain central, but feminist literature also evolves with each new generation, reflecting contemporary struggles such as workplace equity, reproductive rights, and digital activism. The Role of Feminist Literature in Society Feminist literature does more than tell stories—it sparks conversations and movements. In the 19th and 20th centuries, books like A Room of One’s Own by Virginia Woolf and The Second Sex by Simone de Beauvoir challenged the limitations placed on women’s lives. Later, works such as bell hooks’ Ain’t I a Woman? and Audre Lorde’s poetry broadened the conversation to include race, sexuality, and identity. By putting women’s voices at the center, feminist literature rebalances narratives long dominated by male perspectives. It validates lived experiences, empowers individuals to question norms, and contributes to legal and cultural change. Why Readers Turn to Feminist Literature Readers engage with feminist literature for many reasons: Self-discovery: It helps people reflect on their own roles in systems of inequality. Empathy: Stories highlight struggles that may be invisible to others. Education: Non-fiction feminist works explain history, theory, and activism. Inspiration: Characters and real-life voices demonstrate resilience and courage. Community: Reading feminist literature often connects people to broader social conversations. Notable Works of Feminist Literature Some titles stand out as landmarks in the genre: A Room of One’s Own by Virginia Woolf – exploring women’s independence and creativity. The Second Sex by Simone de Beauvoir – a foundational text in feminist philosophy. The Color Purple by Alice Walker – a powerful novel addressing race, gender, and resilience. Bad Feminist by Roxane Gay – essays reflecting on feminism in contemporary culture. We Should All Be Feminists by Chimamanda Ngozi Adichie – an accessible and modern exploration of equality. These works demonstrate the diversity of feminist writing, from philosophical arguments to deeply personal stories. The Lasting Impact of Feminist Literature The influence of feminist literature extends beyond bookshelves. It has inspired social movements, influenced legislation, and changed the way media represents women. It also continues to inspire new generations of writers who push boundaries and redefine what feminism means in their time. Conclusion Feminist literature is both a reflection and a catalyst. It gives voice to lived experiences, questions unjust systems, and imagines better futures. By reading these works, we not only gain insight into struggles for equality but also participate in the ongoing effort to create more inclusive societies. Whether through classic texts or modern essays, feminist literature remains a vital force, reminding us that stories can change the world.

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Memoirs Worth Reading

Ketanji Brown Jackson doesn’t write to impress—she writes to connect. Lovely One is a clear-eyed, personal account of becoming, in all its quiet complexity. It’s not a victory lap or a manifesto. It’s a meditation on legacy, service, and staying rooted when the world is watching.Through daughterhood, motherhood, and leadership, Jackson invites readers into the shaping moments behind the robe—from childhood curiosity to the cultural weight of being the first. The prose is graceful, grounded, and deeply human.There’s power in how she resists drama. No theatrics. No grandstanding. Just a steady unraveling of how values form and history moves forward—one choice at a time.This isn’t about breaking glass ceilings for applause—it’s about naming the cost of doing it with dignity. For anyone holding both excellence and empathy in one body, this story stays with you.Reading Hoda Kotb’s latest memoir feels like curling up with a mentor who knows when to offer wisdom—and when to just pour the wine. Jump and Find Joy doesn’t pretend life is perfect. Instead, it gently reminds us that change isn’t something to fear—it’s something to lean into.Kotb shares reflections on aging, motherhood, reinvention, and letting go with a warmth that never feels performative. Her optimism is hard-won, not saccharine. There’s a groundedness here that’s rare in memoirs by public figures—she’s not selling transformation, she’s showing you what it looks like to choose peace over perfection.This is a memoir for anyone standing at the edge of a shift: a career pivot, a parenting season, a personal unraveling. It doesn’t offer a roadmap—but it does offer a reminder that joy isn’t a destination. It’s a choice. And it’s still available to you, even now.This book is a slap, a laugh, and a hug all in one. Brooke Shields doesn’t just write about aging—she unpacks it, challenges it, and dares you to think differently about what it means to grow older in a world that still prefers its women shiny, silent, and twenty-something.With her signature wit and no-bullshit delivery, Shields tackles vanity, invisibility, motherhood, sex, grief, and grace—all without a trace of apology. She knows she’s privileged, but she also knows what it means to feel erased. That duality is what makes this book so powerful: it’s funny and deeply vulnerable at once.If you’ve ever stared in the mirror and wondered when you stopped being seen, this one’s for you. It doesn’t offer easy answers. But it does offer companionship—and sometimes that’s even better.Mean Baby: A Memoir of Growing UpBy Selma Blair | Published by KnopfSome books you read. Others crawl under your skin and set up camp. Mean Baby is the latter—messy, unfiltered, and completely unapologetic about it.Selma Blair got her nickname before she could walk, and honestly? It fits. This isn't your typical Hollywood memoir full of grateful platitudes and sanitized trauma. Blair serves up her life raw: the addiction, the rage, the spectacular failures, the MS diagnosis that finally made sense of decades of her body betraying her.But let's back up. Blair's childhood reads like a masterclass in emotional neglect disguised as upper-middle-class normalcy. Her mother—brilliant, beautiful, and utterly incapable of maternal warmth—treats young Selma like an inconvenient reminder of her own limitations. Her father, a lawyer who numbs himself with alcohol and emotional distance, barely registers as present. It's the kind of family dysfunction that breeds performers: people who learn early that love is conditional, earned through being entertaining or invisible.Enter Hollywood, where Blair's particular brand of self-destruction finds its perfect playground. She writes about her early career with brutal honesty—the roles that required her to be the quirky best friend, never the lead. The parties where she'd drink until she disappeared from herself. The relationships where she'd perform versions of femininity that never quite fit. There's no glamour here, just the grinding reality of trying to build a life on a foundation of "not enough."What makes this book punch different? Blair refuses to perform recovery for us. She doesn't tie her pain up in pretty bows or pretend rock bottom taught her valuable life lessons. When she writes about alcoholism, it's not inspirational—it's the boring, daily grind of -choosing numbness over feeling. When she talks about her body, it's with the complicated relationship of someone who's been at war with herself for decades.The real gut-punch comes in her unflinching look at motherhood. Blair doesn't pretend pregnancy fixed her or that maternal love erased her damage. Instead, she gives you the terror of loving someone more than yourself when you can barely keep yourself alive. The fear that you'll pass down your dysfunction. The exhaustion of trying to be stable when your brain chemistry has other plans.Her MS diagnosis arrives like a plot twist that recontextualizes everything—those falls, the tremors, the bone-deep exhaustion that doctors dismissed for years. But Blair doesn't let it become the tidy explanation for all her messiness. Because here's the thing: some of us are just born complicated, and the medical system's failure to see women's pain clearly is just another layer of bullshit we're expected to navigate gracefully.There's humor here, but it's the kind that makes you laugh and wince simultaneously. The kind that comes from surviving yourself over and over again. Blair writes like someone who's done pretending she's anyone other than exactly who she is—complicated, difficult, and completely human. She'll have you cackling at her description of a disastrous date one minute, then reaching for tissues when she describes watching her own body betray her the next.The writing itself is gorgeous in its jaggedness—sentences that start one place and end somewhere completely different, just like memory itself. Blair doesn't write chronologically because trauma doesn't work that way. Instead,she gives you moments: the taste of wine at fourteen, the feeling of losing yourself in a role, the first time she couldn't pretend her symptoms were normal anymore.Mean Baby is a love letter to everyone who's tired of apologizing for taking up space. It's for anyone who's ever been called "too much" and wondered if maybe that's exactly what the world needs more of. Blair's refusal to be anyone's inspiration is, paradoxically, deeply inspiring. She's not here to teach you lessons or offer hope. She's here to tell the truth about what it's like to live in a body and brain that feel like they're working against you.BTC Verdict: Read this if you want a memoir that feels like your most honest friend telling you her secrets at 2 AM. Read it if you're exhausted by inspiration porn and ready for something that doesn't promise everything will be okay. Read it if you need permission to be difficult, imperfect, and still worthy of love. Most importantly, read it if you've ever felt like you came into this world complicated—and you're tired of pretending that's something to fix."Every person on this earth needs just one person who sees them and roots for them. Deeply, truly. One person."

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Joseph Tito

Books & Literature

Inspiration - A Dream Decades in the Making

Margaret had always dreamed of writing a book. She’d carried the idea with her for decades—through her career, raising her kids, and even into retirement. Now in her 70s, she finally decided it was time. But with no experience in publishing and a lifetime of self-doubt whispering in her ear, the dream felt more like a distant star than something she could hold in her hands.When Margaret reached out to us at JEO Publishing, she said, “I don’t even know where to start. All I have is a story and a hope.” That was all we needed to hear.We started with a conversation, listening to her story and the passion behind it. Margaret’s book wasn’t just words on a page—it was her life, her lessons, and her legacy. She wanted to write something her grandchildren could hold, something that would carry a piece of her into the future.Our team worked side by side with Margaret, guiding her through every step of the process. From manuscript development to editing, we helped her shape her story into something beautiful and meaningful. She had full creative control, and we made sure her voice stayed authentic—every word, every sentence, was hers.When it came time for the design phase, Margaret’s face lit up as she saw the first drafts of her book cover. “It’s real,” she whispered, tears in her eyes. “It’s really happening.”Now, Margaret is just weeks away from publishing her first book. She’s gone from doubting herself to holding her nearly-finished manuscript with pride. Her story—a collection of memories, lessons, and love—is about to be shared with the world. And she’s proof that it’s never too late to follow your dreams.At JEO Publishing, we believe everyone has a story worth telling. Whether you’re a first-time writer like Margaret or a seasoned author, we’re here to help you bring your vision to life. We take care of the publishing process—from editing to design to global distribution—so you can focus on what matters most: your story.Margaret’s journey reminds us why we do what we do. Stories have the power to connect us, heal us, and leave a legacy for generations. And there’s no greater honor than helping someone share theirs with the world.Your story deserves to be told. Let us help you write your next chapter.

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Joseph Tito

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The Woman Who Wouldn't Giggle: Elvira Caria's Four Decades of Refusing to Play Nice

After 40 years of fighting for her voice in broadcasting, Elvira Caria lost the only title that ever mattered to her: Matthew's momThere's a street named after Elvira Caria in Vaughan. She didn't pay for it, she'll tell you right away. Awards line her walls—forty years' worth of recognition for lifting up her community, for being the voice that shows up at every damn event with her phone and her genuine give-a-shit attitude.But when I meet her at The Roost Café on a grey autumn morning, she says the work that matters most is the stuff nobody sees."My real satisfactory work?" She pauses, weighing whether to trust me with this. "I help young girls escape human trafficking. You can't put that on social media."This is Elvira Caria: the woman who refused to be radio's giggling fool, who chose late-night shifts over morning show glory so she could be home when her son's school bus arrived, who now sits across from me one year after burying that same son at 25."I wouldn't be here if it wasn't for the community," she says. And she means it literally.The Day She Found Her Voice by Refusing to Use ItPicture this: a young Elvira in a radio control room, told by a well-known male broadcaster that her job was to giggle. To be the pretty voice that makes him sound better."I don't do giggling fool," she says now, decades later, the Southern Italian fire still in her voice.She stopped showing up to giggle on cue. Got fired on a Friday. Instead of folding, she handed her termination papers back: "If you can find a better reason to fire me on Monday, I'll accept it. If not, I'm coming back."Monday passed. So did Tuesday. By Friday she expected another dismissal—everyone fires on Fridays. But a month later the man who told her to giggle was gone. Elvira stayed for six more years."I found my value voice," she says. "I wasn't going to bend for someone else's value."The Choice That Looked Like SacrificeAt the height of her career, being groomed for a morning show at one of Canada's top stations, Elvira walked away."Nobody quits Rock Radio," her boss said."Well, I just did."She took the shifts nobody wanted—weekends, evenings, 3 a.m. hits at Yonge and Dundas. People called it sacrifice. She calls it choice."While others were sleeping, I was talking to the people we now call homeless. Nobody wakes up saying, I want to be on the streets when I grow up. Nobody."The choice meant she was home when Matthew got off the school bus. It meant knowing his friends, his teachers, his world. For 25 years, it meant being Matthew's mom first, Elvira Caria second.The Irony That Breaks YouHere's the part that will gut you: she spent decades insisting she was more than just Matthew's mom. She was a broadcaster, a journalist, a voice for the voiceless. She built a career on authenticity when authenticity could get you fired.And then, in 2024, Matthew was gone— twenty-five years old and on the edge of everything. Suddenly all Elvira wanted was the one title that had been stripped away."Matthew never saw me as a radio announcer," she says, voice steady, eyes somewhere else. "He saw me as his mom. And that's all he cared about."The Part Where She Stops Pretending Everything's FineLet's talk about not getting out of bed. About hygiene being optional when grief is bone-deep.Her sister-in-law was the one who finally broke through: "They need you. My boys need you! You're more than their Zia." So Elvira took small steps. A shower became a victory. Coloring her hair, an achievement. Looking in the mirror and trying to recognize whoever stared back."I'm mad at God," she admits. "People say everything happens for a reason. What's the fucking reason? Why take away a kid who never did anything wrong, who was just starting his life?"The Community That Saved Her When Awards Couldn'tTen people can tell Elvira she's wonderful. One critic cuts deeper at 3 a.m. That's human.She'll admit some awards now feel hollow—accolades in a season of loss. The recognition doesn't heal the absence.But the community? They showed up in ways that mattered. The woman from her coffee shop who just sat with her, no words needed. The neighbor who mowed her lawn without asking, week after week, because grief means grass keeps growing when you can't. The radio colleague who took her shifts without question when she couldn't form words, let alone broadcast them. The mothers from Matthew's old baseball team who still text her his jersey number on game days. Or the Baseball league who named an umpire award after him."Someone left groceries at my door every Tuesday for three months," she tells me. "Never found out who. Just bags of real food—not casseroles, not sympathy lasagna—but the exact brands I buy. Someone paid attention to what was in my cart before. That's community."The vigils, the legacy fund in Matthew's name, the quiet notes slipped under her door—that's what kept her standing."The real work happens in shadows," she says. "Helping a girl escape trafficking. Watching her graduate two years later. That's when I think—okay, maybe I've done enough to meet my maker."The Wisdom of Not Giving a FuckAfter decades of answering every critic, she's learned the most radical act: indifference."You don't have to react to everything," she says. "Not everything requires an explanation."She still hates small talk, still loves a stage. The influencer economy baffles her. "People think having a phone makes them reporters. Broadcasting is an accreditation—you're trained how to interview, how to fact-check, how to smell bullshit."Who She Is NowA year later, she's still figuring it out. Still showing up at community events with her phone and her give-a-shit intact. Still ironing her underwear (yes, really) because some control is better than none.The street sign with her name stands in Vaughan, but she lives in the in-between—between public recognition and private purpose, between the veteran broadcaster and the grieving mother."The evil grows faster than good," she says. "We're always catching up."So she keeps going. Not because grief eases—it doesn't. Not because she's found a new purpose—she hasn't. But because stopping isn't her style.She refused to giggle back then. She refuses to perform now. And maybe that's the lesson: sometimes the most powerful thing you can do is keep showing up, even when you don't know why you're still here. Especially then.Elvira Caria continues to support multiple charities across the GTA while maintaining her broadcasting career. She's still mad at God, still helping girls escape trafficking, still learning who she is now. She does not need your sympathy. She might need you to know that grief has no timeline, authenticity isn't content, and sometimes the bravest thing you can do is refuse to play along.

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Joseph Tito

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The Dentist Is Between My Legs: Bif Naked on Heart Surgery, Picking Felons, and Why She's Just Getting Started at 54

The punk icon who found euphoria on an operating table talks death doulas, divorce gratitude, and why her failing marriage hurt more than cancerBy Joseph Tito | Between the Covers | November 2025Bif Naked is cutting up her dog's food with her hands when I ask how it feels to be a legend.She looks at me like I've asked her to explain quantum physics in Swahili. "I'm a dog mom," she says, and goes back to mincing. Her fingers work methodically, tearing dog food into smaller and smaller pieces. The woman who once spit on audiences from punk stages now performs this daily ritual of care with the focus of a surgeon.This is going to be that kind of conversation—where every expectation gets shredded like dog food.The Operating Table High"So I was wide awake," Bif says, settling into her Toronto condo couch, miniskirt riding up as she crosses her legs. She's talking about her heart surgery like most people describe a spa day. "They thread a little camera through your leg all the way to your heart, and they can see what they're doing on the screen."She leans forward, eyes bright with the memory. "The surgeon is wearing a pineapple hat—like, the surgical hat had cartoon pineapples on it. And they're listening to William Shatner singing. Have you ever heard him sing? Who knew this album existed?"This is a woman describing having a hole in her heart closed with what she calls "a little umbrella device," conscious the entire time, finding it all hilarious and profound in equal measure. Her voice gets almost reverent: "I thought, this is the coolest shit ever. How is it possible that in this lifetime, I can listen to these people talking about their day jobs, which is fixing my stupid heart?"Then comes the moment that gives this article its title. They need to inject Novocaine into her leg to make the incision. You know that heavy, aching feeling from the dentist?"I said, 'Oh! It feels like the dentist is between my legs.'"She covers her face, laughing and mortified simultaneously. "The nurses started howling. This patient is on the table, making what they think is dirty talk. But I just meant—" she gestures helplessly "—the Novocaine!"Her whole body shakes with laughter now. "Of course that's what I said. How fucking funny is that?"God's Rejection and Other Love Stories"God is not going to choose me for whatever reason," she says, the laughter suddenly gone. "I'm going to stay here on earth and have to deal with it. Because I'm not learning my lessons yet."The shift in energy is palpable. She's talking about her pattern now—the violent men, the criminal boyfriends, the marriages to liars. "If there's a wrong guy, send him my way. If he is a criminal, if he's a violent felon, send him my way. I'm going to fall in love with that idiot every time."She delivers this like a weather report, no self-pity, just fact. When I ask why she got divorced, she doesn't hesitate: "Because I married liars." Then, catching herself: "But I have to look at what my fault was."She discovered what healthy relationships actually look like at 54. Fifty-four. After two failed marriages, cancer, and enough medical trauma to kill most people twice. "I had no idea relationships were supposed to be healthy," she says, and the wonderment in her voice is genuine. "I think that I've always been chasing true love. I'll never give up on love, ever."The contradiction sits there between us: the woman who picks monsters still believes in fairy tales."My emotional crisis of my failing marriage trumped my cancer experience."She says this so matter-of-factly that I almost miss it. The dissolution of her marriage during treatment hurt more than the actual cancer. Her hands, which had been still, start moving again—straightening pillows, adjusting her jewelry."Which was good," she adds quickly, "because it forced me to throw myself into volunteering."The man who married a rock star got a cancer patient instead, couldn't handle the plot twist. Now she trains as a death doula, works in palliative care. "If I was told tomorrow that I could not be a performer anymore," she says, her voice steady, "I think I would go into hospital administration."The Stage She Was Always SeekingBefore Bif Naked existed, there was a theatre kid at the University of Winnipeg who'd taken ballet for 13 years. She demonstrates a position, her leg extending with muscle memory from decades ago. "I wanted to be an actress and a ballet star."Then a drummer named Brett needed a singer. Suddenly she had a vehicle for all her poetry, all her rage about El Salvador and Indigenous treatment and misogyny. Whether it was ballet slippers or combat boots, she was always searching for a stage—just took her a while to find the right one."I got to stand up there. I got to spit on the audience. I got to say, fuck you, you can't objectify me." Her voice rises with the memory, that old fire flickering. "I didn't even have to sing very well. And believe me, I could not. I sounded like a dying cat."She pauses, grins. "And I don't mean the band Garbage."They opened for DOA. NoMeansNo. Bad Religion. She dropped out of university, and here's the kicker—"I'm still waiting to go back to school," she laughs, thirty-something years later, like she might actually do it.The same rage that fueled her screaming about El Salvador now targets Doug Ford's Ontario. "I couldn't figure out why I moved here," she says. "Then Ford got elected and I thought, 'Oh. I'm here to use my big mouth.'"The Children She'll Never Have (Or Will She?)When she cuts up that dog food with such maternal precision, I have to ask about kids. Her whole body language shifts—shoulders dropping, a softness creeping in."My ovaries were taken out at 36. So breast cancer didn't just cut up my tit." She says this with the same directness she uses for everything else, but her hand unconsciously moves to her stomach. "I've been in menopause since I was 36 years of age."People ask about adoption—she is, after all, adopted herself. The sarcasm returns, protective: "Oh yeah, let me get right on that. Let me turn around as a divorcee who's working nonstop as a self-employed artist in Canada and get right on the adoption train."But then, unexpectedly: "Now in my mid-50s? Yeah, I suppose I am ready."The possibility hangs there. Not this year. But the door isn't closed.Tina Turner's Miniskirt Ministry"I look to women like Tina Turner," she says, smoothing her miniskirt with deliberate intention. "Tina Turner didn't start playing stadiums till she was in her 50s."At 54, she genuinely believes she's just getting started. The documentary premiering across Canada this month (November 12 in Toronto, November 4 in Vancouver). The album finally released after she shelved it during the George Floyd protests because "the world didn't need a fucking Bif Naked record" during that summer of unrest."The sky is the limit," she says, and means it.When I ask who she's fighting for now, what her voice stands for at 54, she barely breathes before answering."When I was singing 'Tell On You' on my first record, I wasn't the only girl who was sexually assaulted," she says, her voice dropping to something harder, older. "I was the only girl with a microphone."The room goes quiet. Even the dog stops moving.She calls herself "a square" now—no cocaine, no partying. "I can be thoughtful and intelligent. I can try very hard to be a voice for the voiceless."But square doesn't mean silent. She's angrier about politics than ever, advocating for animals, healthcare inequality, LGBTQ+ rights rollbacks."Unfortunately," she says with a grin that's pure punk rock, "I'm still the one holding the mic."What's Next Is What She WantsThey're making a feature film about her life. The documentary's touring. When I ask what's next, she almost defaults to "that's a Peter question"—her manager's domain—then catches herself, takes ownership."We're working on the feature film based on the book."But really, what's next is whatever the fuck she wants. She's earned that.I ask what she'd tell a young girl starting out in music today. She thinks, really thinks, her face cycling through decades of memory."Never take it personally. Never take anything personally, no matter what."Then she says something that makes me stop writing: "There's room for everybody."This from a woman who had to claw for every inch of space. Who quit drinking partly to avoid being "misinterpreted" by men who'd use any excuse to discredit her. Who's been assaulted, dismissed, divorced, nearly killed."Anybody can make music on their computer, anybody can learn piano on YouTube, anybody can upload a song and send it to their nona," she continues, and she means it. "That's actually a gift."As I'm leaving, she's back to cutting up dog food, this ritualistic care that anchors her. I think about what she said about God not choosing her yet, about having to stay here and deal with it.But watching her hands work—the same hands that punched stage divers, that held microphones during cancer treatment, that reached for violent men who couldn't love her back—I realize something.She keeps saying she hasn't learned her lessons. But maybe she has. Maybe the lesson is you can marry liars and still believe in love. You can lose your ovaries at 36 and mother the whole world anyway. You can tell your surgical team the dentist is between your legs and still become a legend.She looks up from the dog bowl, catches me staring."I wasn't the only girl who was sexually assaulted," she says again, quieter this time but somehow louder. "I was the only girl with a microphone."Bif Naked's documentary tours Canada this month. Her album "Champion" is available now. She still wears miniskirts and heels. She's just getting started.

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Joseph Tito

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New York Fashion Week: The Good, The Meh, and The What-The-Actual-Fuck

When the Fashion Capital Serves You Dreams, Disappointments, and One Designer Who Needs a Reality CheckBy: Joseph TitoThere's something about New York that makes you feel alive even when it smells like hot garbage and betrayal. Maybe it's the way the concrete seems to pulse with ambition, or how even the pigeons strut like they're on a runway. I went to Fashion Week expecting to see the future of fashion. What I got was a masterclass in both how to do it right—and a stomach-turning lesson in how catastrophically wrong it can go.Let me start with the good, because Runway 7 deserves their flowers before I burn down someone else's garden.The Organization That Actually Gives a DamnIn a world where fashion events often feel like you're crashing a party where nobody wants you there, Runway 7 was different. Three women in particular made magic happen: Diane Vara—the PR & Marketing Director who, despite handling all PR and managing a team of marketers, still took a second to make you feel welcomed with a simple, genuine smile; Christina Kovacs, Director of Brand & Sponsorships who refreshingly didn't know how she could help but still tried; and one more angel whose name I'm tracking down because my notes app crashed—fashion week, am I right?This matters more than you think. When you're surrounded by people who look like they subsist on green juice and contempt, having someone treat you like an actual human being feels revolutionary.The Designers Who Understood the AssignmentLet's talk about Melissa Crisostomo from Unique Custom Threads. This woman gets it. Every piece that walked down that runway was a one-of-a-kind statement that made you stop mid-scroll and actually look. She's been at this for three and a half years, self-taught, originally a fine artist—and it shows. There's something about designers who come to fashion from other art forms. They're not trying to recreate what's already been done. They're creating what doesn't exist yet."Every time I approach a fashion collection, I try and create something new," Melissa told me backstage, and honey, she wasn't lying. That back-open number? Even the straight guys were taking notes.The models themselves were a revelation. Karan Fernandes, 29 but looking like she could play a high schooler on Netflix, flew in from Boston just for visibility—no hotel, no payment, just pure hustle and hope. Levana, a women's-only personal trainer who teaches self-defense on the side, strutted that runway like she was teaching it a lesson about power. These weren't just pretty faces; they were stories on legs.When New York Felt Like New YorkThere were moments when Fashion Week lived up to its promise. The energy backstage—"boobs, makeup, lashes, everything flying everywhere," as Levana perfectly put it. The grandmother from Alabama watching her 10-year-old granddaughter work the runway with equal parts pride and protective terror. The writer and her plus-one BFF who dressed like she was the main character (because honestly, she was).Even the city itself played its part. That particular New York magic where just walking the streets makes you feel like you're part of something bigger, even when you're dodging mysterious puddles and men who think "hey beautiful" is a conversation starter.But Then Came Rhinestone Sugar CoutureAnd this is where I need you to put down your coffee and pay attention.I had to walk out of a fashion show. Me. The person who sat through an entire experimental theater piece about sentient tampons. But this? This broke me.Picture this: Seven, eight, nine-year-old girls. High heels. Makeup that would make a Vegas showgirl blush. Outfits that—and I'm going to be very careful with my words here—made them look like miniature versions of something no child should ever be asked to embody.I'm a dad of six-year-old twin girls. Progressive as hell. No filter. Judge-free zone, usually. But when I looked over at two bodyguards watching that runway and saw something in their eyes that made my skin crawl? When a 62-year-old photographer from Brooklyn—a woman who's probably seen everything—put down her camera and whispered, "This feels like child trafficking"?That's not fashion. That's not art. That's exploitation wrapped in sequins and sold as empowerment.The Uncomfortable Truth About Dreams and DangerHere's what kills me: I don't blame the kids. They're kids. I don't even fully blame the moms, sitting there with stars in their eyes, dreaming of their daughters' names in lights. We all want our children to shine. But there's a difference between letting your child shine and putting them on display like that.The designer—whose name I won't give the dignity of printing—chose to put those children on that runway in that way. In an industry already riddled with predators and problems, she chose to serve up vulnerability on a silver platter and call it fashion.One grandmother I interviewed put it perfectly: "I'm happy and I'm a little scared... I think about the times we're in and what could happen." She was talking about her granddaughter doing regular pageants, fully clothed, age-appropriate. Imagine how the parents of those Rhinestone Sugar girls should feel.What Fashion Week Should BeFashion Week should be about innovation, not exploitation. It should be about Brianna from Bri Romi, marketing her brand through social media and refusing to believe she needs traditional runways to be successful. It should be about models like Anya Patel, whose mom is in the front row being her "biggest fan," fixing her hair and taking pictures. It should be about designers who understand that making people feel something doesn't mean making them feel sick.The truth is, for all its pretension and $25 cocktails, Fashion Week at its best is about dreams taking shape. It's about self-taught designers getting their shot. It's about models from Brazil and Boston and Alabama converging on Sony Hall to walk for visibility, not pay, because they believe in something bigger.The VerdictRunway 7 did something beautiful. They created a space where emerging designers could show their work, where models could build their portfolios, where fashion felt accessible and exciting. They treated people like humans. They made magic happen on a budget and determination.But they also hosted Rhinestone Sugar Couture. And that's a stain that no amount of sequins can cover.Fashion Week is supposed to be the dream factory, the place where art meets commerce meets culture. When it works, it's transcendent. When it fails, it fails spectacularly. And when it crosses the line from fashion into exploitation?That's when we need to stop clapping and start calling it out.Because those little girls deserved better. We all did.

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Joseph Tito

Bitch Fest

Bitch Fest: Unfiltered. Unapologetic. Unbothered.

LETTER 1Dear Bitch Fest,I'm 34, recently divorced, and my ex-husband is already engaged to someone he met three months ago. Meanwhile, I'm over here trying to figure out how to use dating apps without wanting to throw my phone into traffic. Everyone keeps telling me I should "get back out there" and "you're so strong," but honestly? I feel like a garbage person most days. How do I not hate myself for taking longer to bounce back than apparently everyone else on the planet?—Slow & Steady Loses the RaceDear Slow & Steady,First off, fuck everyone who's clocking your healing timeline like you're running a marathon they have money on. Your ex-husband didn't "bounce back"—he ricocheted directly into another person's life because sitting alone with his feelings was scarier than a horror movie marathon. That's not recovery; that's emotional whiplash with a ring attached.Here's what nobody tells you about divorce: there's no prize for speed-healing. You're not "losing" because you need more than a season to figure out who you are without someone else's dirty socks on your bedroom floor. You're being a goddamn adult about it.Let me paint you a picture of what's actually happening here. While you're doing the hard work of untangling years of shared everything and figuring out which version of yourself exists without his commentary, he's playing house with someone new. That's not strength—that's avoidance dressed up in wedding planning. He's using this poor woman as a human band-aid, and honestly? I feel sorry for her.Meanwhile, you're over here having actual feelings about the end of something that mattered. You're grieving not just the relationship, but the future you thought you were building and the comfort of knowing someone's coffee order by heart. That's not weakness—that's being human with a capital H.Here's what I want you to do: take all that energy you're spending on feeling like a "garbage person" and redirect it toward something that actually matters. Learn to cook that one dish you always wanted to try. Buy yourself flowers on a Tuesday for no reason other than you're still breathing. The goal isn't to become someone new—it's to remember who you were before you became half of a "we."Those dating apps? They'll still be there when you're ready to swipe through the wasteland of men whose entire personality is "I love The Office." Right now, your job is to remember that you're a whole person, not half of something broken. And for the love of all that's holy, stop measuring your progress against someone who clearly makes decisions the way a toddler picks breakfast cereal. You're not slow—you're thorough. There's a difference.LETTER 2Dear Bitch Fest,My best friend of 15 years has become completely obsessed with wellness culture. She won't shut up about her morning routine, her supplements, her "toxic" job (which pays well and she actually likes), and how I need to "align my energy." Last week she tried to sell me a $300 course on "feminine leadership" and got genuinely offended when I said no. I miss my friend, but I don't know how to talk to this MLM wellness robot she's become. Help?—Missing My Actual FriendDear Missing,Your friend didn't find wellness—she found a very expensive way to avoid her actual problems. That $300 course? It's not about feminine leadership; it's about buying a sense of purpose when you're too scared to examine why you feel empty.Here's the thing about wellness culture: it's designed to make you feel like you're constantly failing at being human. Your friend has found a community that tells her she's "awakened" while everyone else is "asleep," which is both incredibly seductive and incredibly isolating. She's not trying to hurt you—she's trying to save you from the same existential dread that's eating her alive.You have two choices: set boundaries harder than a prison wall, or have one brutally honest conversation about what's really going on in her life. Try this: "I love you, but I need you to hear me. I don't want to buy anything, join anything, or optimize anything. I just want my friend back. Can we hang out without talking about your morning routine?"If she can't do that, then you're grieving someone who's still alive, and that's its own kind of hell. But sometimes people need to get lost in the wellness sauce before they find their way back to being human.LETTER 3Dear Bitch Fest,I'm a 28-year-old woman who just started a new job at a company I actually love. The problem? My manager is a woman in her 40s who seems to hate me for no reason. She's supportive of everyone else on the team, but with me, she's cold, dismissive, and finds fault with everything I do. I've tried being extra friendly, staying late, bringing coffee—nothing works. I'm starting to think she just doesn't like young women, but I don't know how to handle this without looking like I'm playing the victim. What do I do?—Trying Too HardDear Trying,Stop tap-dancing for someone who's already decided not to clap. You're not imagining this, and you're not being dramatic. Some women absolutely do hate other women, especially younger ones, and it's usually because they're projecting their own insecurities about aging, relevance, or missed opportunities onto your unsuspecting face.Here's what you're going to do: document everything. Every dismissive comment, every impossible deadline, every time she treats you differently than your colleagues. Keep it factual, keep it dated, and keep it detailed. You're not playing victim—you're collecting evidence.Then stop trying to win her over. Seriously. No more coffee runs, no more staying late to prove your worth, no more performing the "cool, agreeable girl" routine. Do your job well, be professional, and let her weirdness be her problem, not yours.If it gets worse, you have options: HR, her boss, or finding a new team within the company. But first, try showing up as yourself instead of as a people-pleasing machine. Sometimes the only way to deal with a bully is to stop giving them the reaction they're looking for.LETTER 4Dear Bitch Fest,Okay, so I don't have a problem, but I can't fucking stand when people put their phone on speaker or FaceTime in public. It bugs the shit out of me. I don't care to hear about other people's conversations. People need to be more considerate of others around them. No, I'm not a Karen, but fuck, I feel like I'm getting there... lol—Almost KarenDear Almost Karen,Welcome to the club, baby. Population: everyone who's ever been trapped on public transport listening to someone's entire family drama unfold at maximum volume. You're not becoming a Karen—you're becoming someone with boundaries, and there's a difference.Here's the thing: people who blast their personal business in public spaces are the same people who think the world is their living room. They genuinely don't understand that the rest of us didn't sign up to be extras in their life documentary. It's not malicious; it's just breathtakingly self-absorbed.The real tragedy? These phone-blasters have somehow convinced themselves they're being "authentic" and "real" by turning every grocery store aisle into their personal therapy session. Meanwhile, you're standing there trying to pick out yogurt while learning intimate details about someone's UTI symptoms.You have three options: invest in noise-canceling headphones and join the rest of us in our protective bubbles, master the art of the pointed stare (works about 20% of the time), or embrace your inner petty and start loudly commenting on their conversation like you're providing live commentary. "Ooh, she should definitely dump him!"Just remember: wanting basic courtesy in shared spaces doesn't make you a Karen. It makes you someone who understands that civilization is held together by the thin thread of people not being complete assholes to each other.LETTER 5Dear Bitch Fest,I'm 29 and just found out I'm pregnant with my first kid. I'm excited, but I'm also terrified about what this means for my career. I work in marketing at a tech startup, and while they talk a big game about "work-life balance," I've watched two other women basically disappear after having babies. One got "restructured" out during her mat leave, and the other came back to find her responsibilities had been "redistributed." My manager keeps making jokes about how I'll "probably want to take it easy now" and asking if I'm "still committed to the big projects." I haven't even told them my due date yet. How do I protect myself without looking like I'm expecting special treatment?—Pregnant and ParanoidDear Pregnant and Paranoid,Welcome to the fucked-up world of pregnancy discrimination, where companies hang motivational posters about "supporting working mothers" while quietly pushing pregnant women toward the exit. Your paranoia isn't paranoia—it's pattern recognition, and you're absolutely right to be worried.First, start documenting everything immediately. Every "joke" about taking it easy, every comment about your commitment, every meeting you suddenly stop getting invited to. Keep a paper trail that would make a lawyer weep with joy. Email yourself summaries of conversations, save texts, screenshot everything. You're not being dramatic—you're being smart.Here's what your manager's "jokes" actually are: illegal interview questions disguised as casual conversation. They're fishing for information about your plans while pretending to be supportive. Don't take the bait. When they ask about your commitment to projects, respond with something like, "I'm fully committed to delivering excellent work, just like I always have." Keep it professional and give them nothing to twist later.The unfortunate reality is that pregnancy discrimination is rampant, especially in tech startups that love to talk about disruption but can't figure out basic human decency. Your company's track record speaks louder than their diversity statements. But here's the thing: knowledge is power, and you now know exactly what you're dealing with.Talk to an employment lawyer now, not after something goes wrong. Many will give you a free consultation to understand your rights and options. Know your provincial employment standards inside and out. Connect with other working mothers in your industry—they've navigated this bullshit before and can be invaluable allies.And remember: you're not asking for special treatment by expecting not to be discriminated against. You're asking for basic human rights and legal protections. The fact that this feels revolutionary says everything about how broken the system is, not about your expectations.A Note from the EditorThe inbox is overflowing with your workplace nightmares, family drama, dating disasters, and general life chaos, and honestly? I'm here for all of it. Your willingness to share the real, unfiltered truth about your lives is what makes this column worth reading. Before we go any further, let me be crystal clear: I am not a therapist, counselor, or any kind of licensed mental health professional. My advice should be taken with a massive grain of salt and the understanding that what works for one person's dumpster fire might not work for yours. If you're dealing with serious mental health issues or abuse, please seek help from qualified professionals who actually know what they're talking about.What I can offer is perspective, solidarity, and the occasional reality check delivered with zero filter. Think of this as advice from your most brutally honest friend—the one who loves you enough to tell you when you're being ridiculous and supports you enough to help you burn it all down when necessary. If you have something to bitch about, contact us at info@jeopublishing.com.

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Joseph Tito

Spotlight

From Rock Bottom to Sephora Shelves: How Jenn Harper Turned Sobriety Into an Indigenous Beauty Revolution

"I'm proudly a recovered alcoholic and I'm no longer going to feel ashamed. Shame will kill us - it almost killed me."Jenn Harper had been selling seafood for over a decade when three little Indigenous girls covered in lip gloss changed everything. The dream came in January 2015, just two months into her sobriety—brown skin, rosy cheeks, giggling and laughing while covered in colorful gloss. When she woke up, she wrote down what would become the business plan for Cheekbone Beauty."It was so real to me that building a cosmetics company was the next thing on my path," Harper reflects. "It's crazy when I think about it now—I'm embarrassed about how much I didn't know about this industry."What she didn't know could fill a warehouse: product development, supply chains, ingredients, retail merchandising, the crushing competitiveness of beauty. What she did know was this: a brand representing Indigenous people deserved to exist in the world.Ten years later, that naive conviction has built something unprecedented—the first B Corp certified Indigenous beauty brand to hit Sephora shelves, a company that's donated over $250,000 to Indigenous communities, and a new category Harper calls "Indigenous Beauty" that puts sustainability and cultural values at its core.But the real revolution? How Harper transformed the same addictive patterns that nearly destroyed her life into the obsessive focus that built an empire.When Shame Nearly Killed Her"I'm proudly a recovered alcoholic, and I'm no longer going to feel ashamed," Harper says with the directness that's become her trademark. "Shame will kill us—it almost killed me."Harper's battle with alcoholism lasted years, marked by rehab attempts, relapses, and a marriage hanging by a thread. In 2014, her husband delivered an ultimatum: get sober or he was leaving. It was the first time in their marriage he'd drawn that line."I had this moment of surrender. I had to believe truly that I could get well," she explains. The timing wasn't coincidental—2015 was also when Canada's Truth and Reconciliation Commission released its report on residential schools, finally giving Harper language for the generational trauma that had shaped her family."I used to believe I was just this person who comes from a completely dysfunctional family—we're just screwed up people," she admits. "Then I learned that this was systematically designed to take down a culture."Her grandmother had been taken from their community at six years old, forced into residential school until sixteen, beaten for speaking their language. Suddenly, Harper's family dysfunction had context—and a path to healing.Replacing One Addiction With AnotherTraditional recovery wisdom warns against substituting addictions, but Harper had a different plan. "I became obsessed with building this business, and maybe as an addict with an addict's brain, I'll never be fully healed from that in this life. But how can I use that power of obsession for doing something good versus destroying my life?"She admits the approach isn't typical AA advice, but it worked. Harper channeled her addictive patterns into something constructive: reading over a hundred books on entrepreneurship and Indigenous culture, diving deep into formulations and supply chains, obsessing over every detail of building a sustainable beauty company."That you can climb any mountain and get to the top," Harper says when asked what sobriety taught her about business. "You really can't see it unless you can see it—that line is so important for people from BIPOC communities. If you didn't see yourself represented out there, how are you supposed to think you can do those things?"Building Indigenous Beauty From NothingWhat Harper calls "Indigenous Beauty" isn't just marketing—it's a fundamental reimagining of how beauty products should be made. Where Korean beauty focuses on skincare and French beauty means perfume and red lipstick, Indigenous beauty centers sustainability and connection to the earth."Indigenous people have truly lived and breathed sustainability since the beginning of time," Harper explains. "We want to add that into how we make and create our products."At Cheekbone, that means formulas that actually biodegrade back into ecosystems, sustainably sourced packaging, and transparencyabout every ingredient. Harper spent years studying formulations to replace conventional ingredients with biodegradable alternatives—swapping propylene glycol for propendol, using only post-consumer recycled plastic, creating products that can serve multiple purposes."The truth is, true sustainability means we buy nothing and use what we have," Harper acknowledges. "We're still a consumer-based business. But can we do it so that the choice someone's making is a better choice they can feel good about?"The Cost of RepresentationHarper's drive for visibility became even more urgent after losing her brother BJ to suicide. "When you lose someone to suicide, you really spend a lot of time thinking about the what-ifs," she says quietly. "What I learned from my brother is that he really felt represented in these last few years. He would send me messages about Indigenous people on red carpets or athletes coming up."Those messages became proof of representation's power—and its absence's danger. Harper knows the statistics: Indigenous communities face suicide rates far above national averages, often linked to disconnection and lack of belonging."You really can't be it unless you can see it," Harper repeats. "For me, being able to represent our communities and help them see that entrepreneurship is an option—if I can figure it out and I wasn't a great student, I didn't have a university degree—if I can do this, they can too."Revolution, Not ActivismHarper's approach to change differs from traditional activism. "I feel like going and yelling at someone with a sign is never going to change their heart," she explains. "We need activists for many things, but I believe the way I love to connect with people is: can we change people's hearts?"Instead of protests, Harper builds. Cheekbone's scholarship fund has deployed 30 scholarships since 2021. Two percent of all revenue goes to Indigenous education initiatives year-round, with special Orange Shirt Day campaigns raising additional funds."We use the system," Harper says of their Orange Shirt Day strategy. "People arethinking about those things on that day, so of course we're using it. The algorithm of the world works on days now—if you're not speaking to the big things happening, no one cares because no one's going to see it."The approach extends to retail partnerships. When Sephora committed to Harper's "Glossed Over" campaign—featuring lip glosses named "Luscious Lead" and "E. Coli Kiss" to highlight water crises in Indigenous communities—it gave profits from Cheekbone sales to water treatment organizations."Sephora is really great—they take risks in that way," Harper notes. "They're truly the heroes in that story because they used their platform, and that's not easy to do on a bigger scale."The Real Beauty IndustryHarper envisions an industry transformation that goes beyond Indigenous representation. "Real people, no more editorial stuff," she says when asked what would make beauty actually beautiful. "We deserve to see real people wearing the products with real skin imperfections, acne, textured skin, hair on their face—let's just be real about it."It's a radical vision in an industry built on manufactured insecurity, but Harper's betting consumers are ready. As the first B Corp certified cosmetic brand in Sephora, Cheekbone legally prioritizes people and planet over profit—paying living wages, providing mental health benefits, and taking company-wide mental health weeks."Everyone at Cheekbone makes over a living wage for the area of the world they live in," Harper explains. "We take a whole week off every summer as an entire business so that it's a real mental health break for the entire company."What Her Grandmother Would ThinkWhen asked what her grandmother would think of seeing Cheekbone in Sephora, Harper pauses. "I think she would be proud. We're a humble group of people, a humble nation. We don't do the bragging thing—it's cultural. But there would be a lot of joy and happiness because I'm her granddaughter."That humility runs through everything Harper builds. Despite Cheekbone's success—Sephora shelves, B Corp certification, six-figure donations—she insists they're just getting started."I literally feel like we're just getting started," she says of the ten-year journey. "Over the last two years is finally when I feel like we've built something that's going to have value and matter."The Revolution ContinuesHarper's vision extends beyond Cheekbone to building an Indigenous beauty conglomerate—acquiring skincare brands, hair care lines, creating an entire ecosystem centered on Indigenous values and sustainable practices.“Cheekbone pioneered a category we call Indigenous Beauty," she explains. "What we intend to do is build this with that long view in mind."For women watching Harper's journey—especially those with their own healing to do—her message is clear: "I am no longer going to feel ashamed. If we've made past mistakes, big ones or small ones, you have to remove that shame part of it. Anyone can turn their lives around at any given moment."It's advice born from experience, spoken by someone who turned rock bottom into revolutionary business, addiction into empire-building, and personal healing into community transformation."If your heart's in something, there's nothing that can stop you from reaching that goal," Harper concludes. "I have regrets, many, many regrets. But shame will kill us. And I refuse to let shame win."Harper's story represents a new generation of Indigenous entrepreneurs building businesses that honor their heritage while challenging industry standards. As Orange Shirt Day approaches this September, her work reminds us that real reconciliation happens not through performative gestures, but through sustained action, authentic representation, and the radical act of building something beautiful from the ground up.When Jenn Harper talks about changing hearts instead of holding signs, she's describing a partnership that puts real money behind Indigenous education. For four years, Cheekbone Beauty has worked with Indspire, Canada's largest Indigenous-led registered charity, transforming lip gloss sales into life-changing scholarships."They're the one that we do our scholarship fund in collaboration with," Harper explains. "They're a not-for-profit, we're a for-profit business, so we get them to do all of our scholarship fund work."The partnership makes perfect sense: Harper brings platform and profits, while Indspire brings three decades of experience. Since 1996, Indspire has distributed over $200 million in scholarships to more than 54,000 Indigenous students across Canada.The collaboration has deployed 30 scholarships since 2021, with Cheekbone contributing 2% of all revenue year-round to their "For Future Generations Scholarship Fund." During Orange Shirt Day campaigns, that jumps to 100% of profits after operational costs."This year will be the fourth year," Harper notes. "The people at Cheekbone love their jobs because everything we do is about supporting and giving back to the community."What makes this powerful isn't just money—it's visibility. Harper's Orange Shirt Day campaigns educate consumers about funding gaps, systemic barriers, and why Indigenous education matters. Her customers learn while they shop."Education is powerful," Harper emphasizes. "Whatever path a young person can choose, it's going to help."Indspire's approach aligns with Harper's philosophy. Rather than charity creating dependency, they provide tools for self-determination. Scholarships support everything from trades programs to PhD studies, recognizing that Indigenous communities need leaders in every field.Harper's story—building a multi-million dollar company without a university degree—proves success comes in many forms. But systemic change requires Indigenous people in boardrooms, courtrooms, research labs, and government offices."Meeting people that have been impacted—they're a beautiful organization, and people should be supporting them in every which way they can," Harper says.The partnership creates a feedback loop: Cheekbone's success generates scholarship funding, which creates Indigenous graduates, who become role models for the next generation—the representation Harper wishes she'd had growing up ashamed of her identity.This isn't charity for charity's sake. Harper sees education funding as business strategy, community building, and cultural preservation. Every scholarship recipient represents potential future leadership and entrepreneurship."It's all about what are we doing here for the next generations," Harper explains. "That's part of our complete ethos as a brand."As Cheekbone grows into an Indigenous beauty conglomerate, the Indspire partnership ensures success lifts the entire community. It's capitalism with conscience, business as resistance, and proof that revolution can happen one scholarship at a time.

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Joseph Tito

Spotlight

The Feeling-Nothing Mother

Patric Gagné doesn't need her kids to love her back. She's okay with that. Are we?Patric Gagné cuts her kids' peanut butter sandwiches into stars and whales. She makes Christmas magical even though she hates it. She shows up for bedtime stories, tantrums, and bullies. But here's the kicker—she does it without the emotional fuel most of us run on. She's a diagnosed sociopath. And she's one of the most fascinating, disarming, and deeply human mothers I've ever interviewed.This isn't a hot take on TikTok psychopathy or a glorified redemption arc. This is someone telling the truth about what it's like to parent without the typical emotional wiring—and still doing the damn thing. I first reached out to Patric because her memoir Sociopath hit me in the gut. Not because I saw a monster. But because I saw a parent navigating the same chaos I was—just using a different map. What followed was one of the most honest, unfiltered conversations I've ever had with anyone."I told my kids they don't have to love me." That line stopped me cold. I asked her if she meant it literally—like, had she actually said those words to her children? "Yes," she said without hesitation. "We've had long conversations about love, and I've told them it should always be additive. You should never feel obligated to love anyone. Even me."It's not rejection. It's radical self-honesty. And it challenges every sappy Mother's Day card, every feel-good sitcom, and every sugarcoated idea we've been sold about what love between parent and child is supposed to look like. But that's the point. Gagné's entire existence challenges the mythology of motherhood—and not in a self-congratulatory way. She's not trying to shock. She's trying to survive. And raise decent humans in the process.The Baby Stage: "I wanted to leave."We talked about those early months of parenting—the dark, sleepless tunnel so many of us have barely crawled out of. I told her I was crying daily, unsure if I'd make it out in one piece. She didn't flinch. "I wanted to kill myself," she admitted. "Not because of them—but because I thought something was wrong with me for not bonding."She had hoped, deep down, that motherhood would unlock something in her. Some primal instinct. Some feral maternal love. But it didn't. And that realization broke her heart in a way she couldn't quite describe. She wasn't angry at her children. She was angry at herself for believing she could be like everyone else. "I was a fool to have thought I could have bonded that way," she said. "I should have been more realistic with myself and said, 'Hey, it's not going to be what it's like for everybody else, just like nothing in your life has been. It's going to be different. But you'll get there.'"The difference between her experience and mine? She had a partner she could tap out to. "Unlike you, I had the benefit of a partner that I could say, 'Here you go. I got to tap out.'"Parenting Without the ScriptWe don't talk enough about what happens when your kids trigger parts of you that have never fully healed. Or never existed. Patric doesn't fake maternal warmth to keep up appearances with other parents. She fakes it when her kids need it from her. "Not so much anymore—they're older," she said. "But when they were younger and needed comfort I couldn't access authentically, I gave them what they needed anyway."When I asked what it feels like to watch her kids sleep, she answered without hesitation: "Relief." Not joy. Not aching love. Relief. Because they're okay. Because she can finally rest. That answer gutted me. Not because it was cold—but because it was honest. And how many of us have felt that exact thing, but felt too guilty to say it out loud?But then she surprises you. When her older child witnessed a classmate being bullied for their sexual orientation and stood up for them, Patric had one of her proudest moments. "I told him, 'You have no idea how much that means to that kid. It really means the world to a kid who feels all alone to have another kid say, stop doing that. That's not kind. And you're being a dick.' I was really proud of him that he did that."Pride without ego. Protection without possession. It's parenting stripped of performance."I can't care about this."One of my favorite moments came when I asked her how she handles the petty day-to-day dramas that set most parents off. "I just say, 'I can't care about this,'" she said, laughing. "It started as a joke with my friends, and now my kids even say it. Like, 'Mommy, you can't care about this.' And I'm like, 'I really can't. I love you. I do not have the bandwidth for a Fortnight play-by-play. I'm a huge gamer and I actually love Fortnite, but I'm also not interested in a 30 minute rundown."It sounds harsh. But how many of us pretend to care about every scraped knee, every Pokémon card betrayal, every tantrum about the wrong color cup? Patric doesn't pretend. She just shows up with what she's got.For nightmares, she takes what she calls "the easy way out." Instead of processing the dream at 3 AM, she'll say, "That's so scary! Let's talk about it more in the morning," or "The best thing for a nightmare is to replace it with a fresh dream," and bring them into bed with her. "The middle of the night is no time to process a nightmare," she said. "If they still want to talk about it in the morning I'll tell them they have 90 seconds to identify every emotion they felt in the dream. The emotions hold the information and, let's be honest, no one is trying to hear 90 minutes of unconscious recall."Boundaries without guilt. Efficiency without cruelty. It's revolutionary, actually.The Santa Claus RebellionIf you want to understand how Patric's mind works, ask her about Santa Claus. From the time her children were conscious enough to have the conversation, she's been methodically dismantling the myth. "I think Santa Claus is crazy. This whole thing about Santa Claus is insane to me," she told them. When they protested that Santa was real, she'd respond with pure logic: "What's the truth? That a man who wears the same clothes 365 days a year comes down a chimney and leaves presents for you because you're good? So he's breaking and entering?"Her children would push back, insisting Santa arrives by sleigh. "I'm sorry, he comes on what? A sleigh?" She'd continue: "Don't talk to strangers unless it's a man in a red suit promising gifts, in which case get into his lap and whisper your secrets? We're teaching kids about stranger danger, but over here it's okay?"But here's the thing—she still makes Christmas magical. "I really work hard to make Christmas magical for them, because it's not their fault that I have a really hard time at Christmas. It's so hard every year. But I definitely do it for them."Her solution was brilliant: let her children convince her while maintaining her stance. "They would come to me with the stories, and I would say, 'That's bonkers,' and then it's on them to convince me. All along I would say, 'This is insane,' but I will tell you there is something about Christmas that is magical. I don't know what it is, but I know it's not some random guy.""I never wanted to tell them I believed in something I didn't believe in," she explains. "I'd rather my kids know they can always count on me to deal with them honestly, even if it's not as magical as they would like it to be."Radical honesty wrapped in love. It shouldn't work. But it does.When Marriage Meets LogicLiving with someone who processes emotions so differently presents unique challenges. When her Italian husband gets angry and starts raising his voice, Patric's response is clinically precise. "I say, 'You're increasing the volume of your voice, not the clarity of your communication.'" she tells me. "I don't respond to yelling. I don't allow anyone to speak to me this way, and I wouldn't allow anyone to speak to you this way, so you need to take a walk because all I see is someone who is so wrapped up in an emotion tornado I can't reach the person on the inside."It should sound cold. Instead, it sounds like the sanest relationship advice I've ever heard. Her husband, she says, thrived in the baby stage. But Patric prefers the teenage years. "People like us tend to have a much easier time with the teenage years," she explains. "So many people who thrived in the baby stage are ready to pull their hair out in the teenage years. I feel that I'm more equipped to be a teen parent because I can have those conversations—about sex, about violence in schools. I'm very direct. I don't shy away from anything."When it comes to discipline, Patric strips away the emotional drama that usually accompanies consequences. "Actions have consequences. Period," she says. "It's like being an adult—if you want to test the boundaries and get caught, you're not going to be able to have access to the things you want. It's not 'How can you do this to me?' It's more just meeting them where they are."She often lets her children choose their own consequences. "You did something, so what is the consequence? You tell me, because I can choose, but I think it's more effective if you choose your own consequence. They're usually pretty spot on." With her older child, she'll reframe situations by asking what advice he'd give his younger sibling in the same situation. "Is this what I should tell your younger sibling? Is this how you would handle this?" The answer, she says, is always the same: "No."It's accountability without shame. Consequences without manipulation. And it's working.The Boxes of MemoryIn her memoir, Patric writes about a box of stolen childhood trinkets—glasses, small objects that gave her some sense of feeling when everything else felt like nothing. I asked if she still keeps that box. "I do, but it's gotten bigger. So now I have many boxes full of things, and they're not necessarily things that have been stolen so much as they're things that I have from places that I've been where I shouldn't have been."The impulse has evolved but never disappeared. When she travels alone, she notices the old urges. "She's still there, you know. She's like, 'Hey, you wanna go? Do you want to get into it?' It's like, no, I do not want to get into it. It's a conversation that's more playful now."At a recent party, she watched a woman being "such an asshole to the people working the event" and felt the familiar pull toward chaos. "I remember thinking, I'm just gonna grab her purse and throw it in the garbage. She's gonna lose her mind. She's gonna think somebody stole it. All of her stuff's gonna be gone." Her husband intervened quickly. "He definitely interceded very quickly, like 'You're not doing that.' And I was like, 'Well, we aren't doing anything. Just go get the car, Buddy. You don't have to be a part of this.'"Instead, she kicked the woman's purse under a table three tables over. "She did lose her mind and started accusing the staff of stealing it, which just basically outed her for being an even bigger piece of shit than she was."It's vigilante justice without violence. Chaos with a moral compass. And I'm not going to lie—I kind of love it.Love, RedefinedPatric's definition of love doesn't come with fireworks. It's not desperate or possessive. It's mutualism. "Organic. Additive. Mutual homeostasis," she said. "Not transactional. Not ego-driven. Just two people benefiting from each other's presence."When her children accomplish something—good grades, first steps, small victories—she celebrates differently than most parents. "I'm happy for them. I'm proud of them. But pride is something that's egocentric, isn't it? So many people who have a lot of pride also take it as a reflection of them, like 'Look at what a good parent I am because my kid got an A.' I'm proud for them, proud of them, but it has nothing to do with me."She adds, "You can be diagnosed with secondary psychopathy and still love. You can love differently—and still make it count."Honestly? It sounds like a better kind of love than most people ever get.Of course, the part of her story that makes people recoil—the pencil-stabbing, the animal cruelty—can't be sanitized away. When I asked what those moments felt like, she said, "Relief. It was like I could finally stop masking. It was my way of saying, 'This is who I am.'" She doesn't excuse the behavior. She doesn't romanticize it. She just doesn't connect to it emotionally the way neurotypical people do. And that's what terrifies people.But that's also why this story matters. Because when we treat sociopathy like a horror movie diagnosis—something you either are or aren't, something inherently evil—we lose the nuance. We lose the opportunity for understanding. For intervention. For treatment.She's Not Asking for ForgivenessPatric doesn't want you to like her. She's not asking for redemption. She's not looking to be fixed. She's just telling the truth. "I don't need an excuse to be an asshole," she told me. "If I'm in a dark place and I act out, I act out. There should be consequences. But I don't feel guilt about it."Her diagnosis doesn't excuse harm. But it does explain how she moves through the world. And she's spent years unlearning harmful behaviors—not because she "feels bad," but because she understands what's right. There's something both terrifying and refreshing about someone who takes responsibility without the emotional theater that usually accompanies it.The Privilege to HealShe's the first to acknowledge that if she weren't white, articulate, and conventionally attractive, this story might have ended very differently. "There are thousands of kids with the same traits I had—oppositional defiant disorder, conduct disorder—but they don't get access to treatment. They get kicked out of school. Thrown into the system. Labeled as bad kids. But these are treatable conditions. We just don't fund the solutions."She cites staggering statistics: "Conduct disorder affects roughly 10% of girls and 16% of boys. Its symptoms, such as stealing and deliberate acts of violence, are among the most common reasons for treatment. And yet there's no testing for them or markers for them like there are for autism."This isn't abstract for her. This is the knowledge that hundreds of thousands of children are cycling through systems designed to punish rather than heal. Children who could be helped. Children who could become functional adults, partners, parents. Children who could become her.The Origin MysteryPerhaps the most significant revelation comes when Patric drops a bombshell about her condition's origins: "I was not born this way." She's discovered something about the environmental factors that shaped her—specifically, "having been exposed to psychopathic practices at a very young age." Her response to this discovery? "Relief, fury, and clinical curiosity."But she's not ready to elaborate. "I need to do more research," she says. If her research proves what she suspects, it could revolutionize how we understand and treat sociopathy. It could shift the conversation from "monster or not monster" to "how do we prevent this from happening to other children?" For now, she's keeping that discovery close to her chest. But the implications are staggering.So What Do Her Kids Think?"They've never asked why I'm different," she said. "Because I've always been honest. I've told them, 'Mommy doesn't experience emotions like that. So sometimes I won't understand what you're feeling. But that's okay. You can talk to Daddy.'"When her children heard some of the backlash against her book, their response was pure confusion. "They're like, 'I don't understand. Why are people angry? Why are they saying things like that?' They can't wrap their head around it."Her children aren't confused about their mother. The rest of us are confused about what motherhood is supposed to look like.The Uncomfortable TruthThis is not a "look how far she's come" piece. This is a "look how she lives anyway" piece. Patric Gagné isn't trying to be your role model. She's not trying to win you over. But she is asking you to consider that parenting doesn't always have to be soaked in guilt, martyrdom, and emotional exhaustion. Maybe it can also be about logic. Consistency. Showing up. Giving your kids the truth, even when it's not pretty.We love to say that "there's no one way to be a good parent." But we rarely mean it. We say it, then judge every choice that doesn't look like our own. Patric Gagné is here to remind us that the love we think is universal—that overwhelming, consuming, sometimes destructive devotion—might not be the only way to raise whole human beings.You can love differently and still make it count. And maybe that's what makes her the most honest mother of all.If you or someone you know is struggling with thoughts of self-harm, please reach out to a mental health professional or crisis helpline. If you suspect a child may be showing signs of conduct disorder or other behavioral concerns, early intervention can make a significant difference."I am a criminal without a record. I am a master of disguise. I have never been caught. I have rarely been sorry. I am friendly. I am responsible. I am invisible. I blend right in. I am a twenty‑first‑century sociopath."Patric Gagne’s Sociopath is one of those books that leaves you sitting in silence long after the last page—equal parts disturbed, cracked open, and weirdly comforted. She doesn’t sugar-coat a thing. From childhood violence to emotional emptiness, Gagne holds nothing back, and somehow in that void, you feel everything. It’s not a plea for pity. It’s a dissection of what it means to perform humanity when you don’t feel it—and the loneliness that comes with that mask. And while the motherhood stuff is only touched on in the epilogue, what lands is the deep, unspoken ache for connection. This book made me question what we call empathy, what we judge as broken, and who gets to heal. It’s haunting in the best way. Get your copy here.

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